![]() You want to set this value as low as possible without leaving any holes in your subject. A higher value will make more areas opaque, while a lower value will make more areas transparent. You want to set this value as high as possible without cutting into your subject.Ĭlip White: This setting increases or decreases the white values of the matte. A higher value will make more areas transparent, while a lower value will make more areas opaque. These controls allow you to modify the black and white values of the matte that defines what is transparent and what is opaque.Ĭlip Black: This setting increases or decreases the black values of the matte. To do this, you need to adjust the Screen Matte controls in the Keylight 1.2 effect. The next step is to refine the edges of your subject and remove any unwanted spill or noise from the background. You will see that the background becomes transparent and only your subject remains visible. To do this, use the Eyedropper tool in the Screen Color setting and click on a representative area of the green or blue screen behind your subject. The first thing you need to do is to select the color of the background that you want to remove. ![]() ![]() You will see a new effect in the Effect Controls panel with various settings and parameters. Drag and drop it onto your footage layer in the timeline. To apply the Keylight 1.2 effect, go to the Effects & Presets panel and find it under the Keying subfolder. In this article, we will show you how to use Keylight 1.2 in After Effects CS6 to key out your footage and improve your results. It allows you to remove green or blue backgrounds from your footage and create realistic composites. Keylight 1.2 is a powerful keying plugin that comes with After Effects CS6. How to Use Keylight 1.2 in After Effects CS6
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